
That Behringer Compressor is a steal. Everyone should own one.
Legit makes all my guitar sound better and ain’t all noisy like other comps.
Moderated By: mods
yes, i do have to admit, it almost felt... embarrassing(?) with it on my board originally, but then i compared it to the tones i heard from pedals twice, four times, or more its size (dano cool cat chorus is like an 18v buick and sounds amazing), i get over it very quickly. i mean, pots for volume, rate, and depth PLUS a deep switch? that combined with the super cool LED built into the top knob (rate)? i hear you on the price -- it's kind of weird paying $85ish for an effect not much bigger than a cigarette lighter. solid little bastard, though.ekwatts wrote:Yeah, I wouldn't mind some more Hotone stuff but only if I can get them super-cheap like the bitcrusher (less than half price from China). I have to admit, it looks and feels absurd when you first get one in your hands. Like, yeah, they're tiny, that's the gimmick, and it's a useful gimmick too, but actually taking it out of the box and holding it made me laugh.
I've also been wondering if I could ever bring myself to simply get a TC Electronic Plethora and get rid of everything else apart from my dirt pedals. I just fucking hate "programming" pedals, though.
i should have thought about this. never had a behringer pedal, and the price is always right.Noirie. wrote:That Behringer Compressor is a steal. Everyone should own one.► Show Spoiler
Legit makes all my guitar sound better and ain’t all noisy like other comps.
love the look of the june 60. have you ever used it in stereo mode?Freddy V-C wrote:
My Mooer Pure Octave has shit the bed (not bad for such a cheap pedal after almost a decade, to be fair) so it's off the board for now. I want to replace that eventually, plus I'm eyeing up a noise gate (I know, selling out) and still hoping to switch the Tomsline Black Teeth for a proper RAT at some point, so I think after ~7 years I'm gonna have to finally accept that I need a bigger board. Currently torn between a Pedaltrain Metro Max and a Pedaltrain Junior Max.
I'm still loving having a DD3 back on my board. The Eyemaster and June-60 have both been great for recording so far, but I still can't quite seem to get to grips with them in a practice room setting.
DD-3 is a classic - sample hold function is so much funFreddy V-C wrote:
My Mooer Pure Octave has shit the bed (not bad for such a cheap pedal after almost a decade, to be fair) so it's off the board for now. I want to replace that eventually, plus I'm eyeing up a noise gate (I know, selling out) and still hoping to switch the Tomsline Black Teeth for a proper RAT at some point, so I think after ~7 years I'm gonna have to finally accept that I need a bigger board. Currently torn between a Pedaltrain Metro Max and a Pedaltrain Junior Max.
I'm still loving having a DD3 back on my board. The Eyemaster and June-60 have both been great for recording so far, but I still can't quite seem to get to grips with them in a practice room setting.
Brandon W wrote:you elites.
But, but, but.... they have the input/output sockets at the top.Freddy V-C wrote:The only annoying thing about these new TC Electronic pedals is they have those weird footswitches where the effect doesn't engage until you take your foot off the switch, rather than when you first press it down. Not the worst thing in the world, but it has taken some getting used to.
Brandon W wrote:you elites.
Freddy V-C wrote: I'm gonna have to finally accept that I need a mini tuner
If the Hold function could go even faster/shorter, it'd be my absolute fave. I might look into modding it or something.dezb1 wrote: DD-3 is a classic - sample hold function is so much fun
Doog wrote:Freddy V-C wrote: I'm gonna have to finally accept that I need a mini tuner