Haze wrote:So many nice pieces of gear! Great stuff. Do you run any pedals or are you a guitar > amp man?
I run an original rat od and a holy stain into my bandmaster, I run an 80's mxr dist + and the holy stain into my tremolux on the regular. Those are about the only pedals I make use of at this time. that's subject to change as I get new pedals a lot but mostly I sell or trade them off.
Whilst spring-cleaning I did a quick stocktake of all the pedals in the flat.
Unmarked (clone) ones are:
Top row- Maestro FZ1, Mod. EA tremolo
2nd row- mystery mixer, Screaming tree clone (my Dad made this)
4th row- Harmonic Percolator, Opamp Big Muff, Microamp with buffer, Schaller Tremolo, Snow White Autowah
timhulio wrote:Whilst spring-cleaning I did a quick stocktake of all the pedals in the flat.
Unmarked (clone) ones are:
Top row- Maestro FZ1, Mod. EA tremolo
2nd row- mystery mixer, Screaming tree clone (my Dad made this)
4th row- Harmonic Percolator, Opamp Big Muff, Microamp with buffer, Schaller Tremolo, Snow White Autowah
hey tim, if you are really spring cleaning send me a PM with what you are discarding
plopswagon wrote:I like teles and strats because they're made out of guitar.
robroe wrote:I dont need a capo. I have the other chords in my tonefingers
i'm loving my looper box. i'm using it to keep the TS9 in. instead of using the TS9 to boost my drive channel for solos, i'm using it to shape my drive sound and then step on the saltboost for leads. it's sounding really great. really found settings on my tweed that work well. turning on the saltbooster maxed out with the drive channel gives a great splatty fuzz sound.
Guitars: Fender Classic Player CS 60’s Stratocaster, Epiphone “Yungblud” SG Jr
Tu3 is the abbreviation used where I work for 'Tunnel 3', which is the line that makes vienetta. The picture didn't load immediately and it took me a few seconds to realise that you meant a boss tuner. My initial thoughts were along the lines of -
Is Stewart setting up a black market vienetta ring? If he is why is he posting about it in the effects thread? How is neatly folding ice cream and layering it with chocolate and whatever else going to stop bass loss in his guitar tone?
i am partial to a bit of vienetta now you mention it... i remember when it used to be a really posh dessert, i think you should have a word with the marketing dept and get them to make it seductive again.
What tuner did you have before Stewart? And what made you choose the TU-3?
i had the tu-2 but it was pretty damn inaccurate. i like the fact it has a buffer rather than true bypass, the power out thing is pretty handy for daisychaining and i use it as my signal splitter, so the two outs are a must. the tu-3 is much more accurate and quick to tune, so it was pretty much the only choice for me given all that.
The GFS tuner is excellent (but I guess I'm not that picky when it comes to tuners). It's $40 USD, true bypass, pretty sturdy, has a huge, bright screen, and adds no noise. It does get a bit confused on my high E string, but I can deal with that.
Current pedalboard as it stands. I'm itching to get the new Big Muff Pi with Tone Wicker, but can I justify having two (technically three with the Holy Stain) arsetearing fuzzes on one board? I guess so.
The compressor isn't mine, it's a mates, but I've been using it to go into the Micro Synth. I don't really like compressors, I've never really found them very useful at all. I just turn the sustain on this one right up and try not to mess with anything else.
Current pedalboard as it stands. I'm itching to get the new Big Muff Pi with Tone Wicker, but can I justify having two (technically three with the Holy Stain) arsetearing fuzzes on one board? I guess so.
The compressor isn't mine, it's a mates, but I've been using it to go into the Micro Synth. I don't really like compressors, I've never really found them very useful at all. I just turn the sustain on this one right up and try not to mess with anything else.