80s Squier Bullets.

Is mentioning any instantly dismissed, pre-2000 Squier that ended up shitting all over Fenders really fair, though?

I think the Burns headstocks are a rare example of bootleggy shapes that I think actually work, proportion-wise.

Yeah... You generally want to pair an amp with speakers that can handle at least a bit more power than the amp can output for that very reason. I have no idea what that vintage of Vibrolux packed out of the factory but I doubt they were living that close to the edge.

Haha derp

Headstock logo and my friends signature. Same spot as the Marr Jaguar. http://c1.staticflickr.com/1/375/18027947313_85207c6ffc_z.jpg headstock by punkacc9 , on Flickr So what neck did you end up using? Surely you didn't plug the truss rod route on the Squier one, you posted earlier. Looks dopes, btw.

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I'm sorry if this post isn't super useful but given all the equalization and effects at your disposal, you should be able to get any kind of guitar sound that you want out of a pickup, so long as it isn't broken.

EXACTLY!

I'm reminded of a cheesy Pentium II era jetski racing game but I can't remember the exact title.

They look like poorly rendered 3D computer graphics of water

I can't quite remember which one I got first but it was either one of these: http://silent-heaven.net/bilder/digital/boss-xtortion-xt-2-2.JPG http://www.erikzmusic.com/dod-grunge-fx69-large.jpg The xtortion was xtra xturdy so i xtraded it for an Ibanez LF7, which was equally turdy. I still have the ...

theshadowofseattle wrote:Them's Duncan lipsticks, not tele pickups.

I'll take "What could be even worse then telecaster pickups on a bass?" for 500, Batman.

Just the super gnarly delay in this synth makes it worth every penny.

I think the MS-20 and MiniBrute are too different to be compared directly. The MS-20 is flat-out a way more powerful studio instrument than either of the Brutes but I'd be worried about trying to program it live, unless I was doing improv sets. The MiniBrute with it's arpeggiator and full sized keys...

One of my favourite tricks is to send LFO instructions to multiple destinations, like Filter, pitch and one of the oscillator waveforms, using this thing:



A seriously mandatory piece of kit, for anybody delving in the Eurorack/CV world.

Arturia Microbrute.

Patch the gate out trough the gate in and it will produce a continuous tone, set the LFO rate so that it's in the audio range and the filter to self-oscilate and FUCK AROUND.

Maybe run it rough a delay for double squelch bonus points.

Noirie. wrote:a Jazzblaster with Wide Rangers.

Other than the Renaldo sig, yeah.

I'm not crazy about the idea of jazzblasters but I can imagine how the singular finish option and the prohibitive price might have deterred many of the people that really are into this configuration from buying one.